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Beyond parody, the project reveals the impersonator's desire to escape reality and pay homage to a bygone era. 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My process is about manipulating the image in the darkroom until it finally reflects the true atmosphere and emotion experienced that a camera alone cannot see.»",{"_type":328,"answer":407,"initialsAnswer":338,"initialsQuestion":339,"question":416},[408],{"_key":409,"_type":13,"children":410,"markDefs":415,"style":38},"b60d06c4721a",[411],{"_key":412,"_type":17,"marks":413,"text":414},"28b4a1809482",[],"I am drawn to these spaces because they serve as refuges where people go to escape their daily lives. I am fascinated by the transformation that occurs behind closed doors; when social rules are suspended, hidden desires and true selves can finally surface. These rooms act like private theaters, revealing the deep longings that people usually hide from the rest of the world.",[],"From hotels and motels to brothels, you’ve explored intimate spaces often hidden from the visible life of the city in projects like 'New York Hotel Story' or 'Tokyo Hotel Story'. What first led you to these environments — and what do they reveal about urban life that other spaces do not?",{"_type":328,"answer":418,"initialsAnswer":338,"initialsQuestion":339,"question":427},[419],{"_key":420,"_type":13,"children":421,"markDefs":426,"style":38},"68f2d32d36a8",[422],{"_key":423,"_type":17,"marks":424,"text":425},"4bd0c6ab97f9",[],"I avoid 'perfect' representations because life is inherently layered, distorted, and fading. As someone who finds peace in the darkroom, I use various techniques to strip away the literal reality that the eye sees. While a raw negative documents the facts, it often fails to convey the energy or connection I felt in the moment. My process is about manipulating the image in the darkroom until it finally reflects the true atmosphere and emotion experienced that a camera alone cannot see.",[],"As you mentioned, experimentation and darkroom processes are central to your work. What are you searching for through these methods? What do they allow you to reveal, transform, or disrupt?",{"_type":429,"alignment":430,"aspect":375,"contained":8,"media":431,"size":444},"projectBuilderMedia","center",{"asset":432,"autoplay":136,"caption":435,"crop":8,"hotspot":8,"videoType":8,"videoUrl":8},{"altText":8,"metadata":433,"originalFilename":257,"url":258},{"dimensions":434},{"_type":142,"aspectRatio":254,"height":255,"width":256},[436],{"_key":437,"_type":13,"children":438,"markDefs":443,"style":38},"30dc23441492",[439],{"_key":440,"_type":17,"marks":441,"text":442},"1cde10070bca",[],"'In the Shadow of the Big City', from the 'Tent City' project, was announced the winning image of the CitiesToBe Photo Award 23. ",[],"large",{"_type":404,"author":446,"bigTitle":78,"contained":8,"title":447},"Nathalie Daoust on 'Tent City', the project behind her winning photograph for the CitiesToBe Photo Award 23","«I was drawn to these nomadic communities and was immediately struck by a profound paradox: a people whose heritage belongs to the vastness of nature were now being compressed into the rigid, concrete margins of an expanding city.»",{"_type":328,"answer":449,"initialsAnswer":338,"initialsQuestion":339,"question":458},[450],{"_key":451,"_type":13,"children":452,"markDefs":457,"style":38},"14bebd91978f",[453],{"_key":454,"_type":17,"marks":455,"text":456},"d9c7deb0830f",[],"I was drawn to these nomadic communities and was immediately struck by a profound paradox: a people whose heritage belongs to the vastness of nature were now being compressed into the rigid, concrete margins of an expanding city. Through this work, I wanted to explore the friction between ancestral traditions and a forced modernization triggered by climate change and migration. I was looking for an answer to how \"home\" is redefined when a community is caught in an unsettling limbo—existing in the cracks of progress.",[],"We would love to revisit 'Tent City', the project behind your winning photograph for the CitiesToBe Photo Award 23. How did you come to this work, and what questions were you exploring through it?",{"_type":362,"gallery":460,"slider":136},{"allowLightbox":8,"caption":461,"images":470},[462],{"_key":463,"_type":13,"children":464,"markDefs":469,"style":38},"3de45931b2d3",[465],{"_key":466,"_type":17,"marks":467,"text":468},"a71201663e73",[],"'Tent City' project. Courtesy of Nathalie Daoust.",[],[471,480,489,498],{"aspect":375,"asset":472,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":473,"originalFilename":478,"url":479},{"dimensions":474},{"_type":142,"aspectRatio":475,"height":476,"width":477},1.4615384615384615,793,1159,"NathalieDaoust_TentCity6.png","https://cdn.sanity.io/images/aj6e31np/production/888ec53906e11155f06ad3c426aa41360632be49-1159x793.png",{"aspect":375,"asset":481,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":482,"originalFilename":487,"url":488},{"dimensions":483},{"_type":142,"aspectRatio":484,"height":485,"width":486},1.4991304347826087,575,862,"NathalieDaoust_TentCity2.png","https://cdn.sanity.io/images/aj6e31np/production/25861bfa514c7af378a4193f211c01536b97030c-862x575.png",{"aspect":375,"asset":490,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":491,"originalFilename":496,"url":497},{"dimensions":492},{"_type":142,"aspectRatio":493,"height":494,"width":495},1.5017361111111112,576,865,"NathalieDaoust_TentCity3.png","https://cdn.sanity.io/images/aj6e31np/production/0db487aa5ea60b9cf47151953705edc93afc7436-865x576.png",{"aspect":375,"asset":499,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":500,"originalFilename":505,"url":506},{"dimensions":501},{"_type":142,"aspectRatio":502,"height":503,"width":504},1.516994633273703,559,848,"NathalieDaoust_TentCity5.png","https://cdn.sanity.io/images/aj6e31np/production/cdaeb507cc5a05bcad792f4bec4d5bf1227ee6db-848x559.png",{"_type":328,"answer":508,"initialsAnswer":338,"initialsQuestion":339,"question":517},[509],{"_key":510,"_type":13,"children":511,"markDefs":516,"style":38},"41449b71c9ae",[512],{"_key":513,"_type":17,"marks":514,"text":515},"719e51febe3d",[],"The loss of identity. When a nomadic culture is forced into a sedentary urban existence, something profound breaks. I wanted to capture that in-between existence that represents a fragile bridge between a lost heritage and an uncertain, urbanized future that hasn't yet found its footing.",[],"Your images capture the forced transition of nomadic communities into urban life. What felt important to make visible through this project?",{"_type":328,"answer":519,"initialsAnswer":338,"initialsQuestion":339,"question":536},[520,528],{"_key":521,"_type":13,"children":522,"markDefs":527,"style":38},"c23064c7183f",[523],{"_key":524,"_type":17,"marks":525,"text":526},"2ce1f6187b5c",[],"While I spent weeks in the countryside building deep bonds with nomadic families, the city demanded a different kind of connection. I photographed 180 families who all welcomed me into their homes, yet our time together was inherently transient—as fleeting as the ground beneath their feet. This shifted the project's focus; instead of individual character studies, the work became about a collective struggle to preserve a traditional identity within a modern cage.",[],{"_key":529,"_type":13,"children":530,"markDefs":535,"style":38},"00fadfaa44d5",[531],{"_key":532,"_type":17,"marks":533,"text":534},"3f93c88b6abe",[],"Since then, that fragile reality has only hardened. Most of the \"temporary\" settlements I documented have either devolved into permanent slums or been erased entirely by high-density construction.",[],"In previous interviews, you’ve spoken about the importance of building relationships with the people you photograph. How did that connection shape this project — and have you followed how this reality has evolved since then?",{"_type":362,"gallery":538,"slider":136},{"allowLightbox":8,"caption":539,"images":546},[540],{"_key":541,"_type":13,"children":542,"markDefs":545,"style":38},"a445110846df",[543],{"_key":466,"_type":17,"marks":544,"text":468},[],[],[547,556,564,572],{"aspect":375,"asset":548,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":549,"originalFilename":554,"url":555},{"dimensions":550},{"_type":142,"aspectRatio":551,"height":552,"width":553},1.5103806228373702,578,873,"Captura de pantalla 2026-06-22 a las 16.14.41.png","https://cdn.sanity.io/images/aj6e31np/production/76d8ffc3319a2e5f7e8a53757d425003473e8783-873x578.png",{"aspect":375,"asset":557,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":558,"originalFilename":562,"url":563},{"dimensions":559},{"_type":142,"aspectRatio":560,"height":561,"width":486},1.4836488812392428,581,"Captura de pantalla 2026-06-22 a las 16.13.23.png","https://cdn.sanity.io/images/aj6e31np/production/d129a6343a532072e2054809e586058909d03121-862x581.png",{"aspect":375,"asset":565,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":566,"originalFilename":570,"url":571},{"dimensions":567},{"_type":142,"aspectRatio":568,"height":552,"width":569},1.4930795847750864,863,"NathalieDaoust_TentCity1.png","https://cdn.sanity.io/images/aj6e31np/production/c223914bf1dde656e45ea1decf7bc32061d8493d-863x578.png",{"aspect":375,"asset":573,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":574,"originalFilename":578,"url":579},{"dimensions":575},{"_type":142,"aspectRatio":576,"height":577,"width":495},1.5148861646234677,571,"NathalieDaoust_TentCity4.png","https://cdn.sanity.io/images/aj6e31np/production/886589272afa9444f5e216da4be88a3cfddcdb5f-865x571.png",{"_type":404,"author":446,"bigTitle":78,"contained":8,"title":581},"«Since I worked on the project, that fragile reality has only hardened. Most of the \"temporary\" settlements I documented have either devolved into permanent slums or been erased entirely by high-density construction.»",{"_type":328,"answer":583,"initialsAnswer":338,"initialsQuestion":339,"question":592},[584],{"_key":585,"_type":13,"children":586,"markDefs":591,"style":38},"0c280c5c63b5",[587],{"_key":588,"_type":17,"marks":589,"text":590},"b4e9e1411380",[],"My work explores the tipping point where tradition is reimagined for a new era. It resonates with a global movement to protect ancient ways of life and community structures in the face of rapid change. Ultimately, it is a story of adaptation, capturing the moment when centuries of tradition intersect with the modern world—a transition where new possibilities emerge even as old ones fade.",[]," Do you think a story so rooted in a specific context can resonate more broadly with global urban transformations?",{"_type":328,"answer":594,"initialsAnswer":338,"initialsQuestion":339,"question":622},[595],{"_key":596,"_type":13,"children":597,"markDefs":619,"style":38},"7bd98c3dc9ce",[598,602,607,611,615],{"_key":599,"_type":17,"marks":600,"text":601},"db5f72f6173d",[],"In ",{"_key":603,"_type":17,"marks":604,"text":606},"d9e5dfe0ff32",[605],"afed3bae7344","'Korean Dreams'",{"_key":608,"_type":17,"marks":609,"text":610},"e99611eac5dc",[],", I had to embrace the \"staged\" reality. Instead of trying to fight the government minders to find a \"truth\" they were hiding, I photographed the theatre itself. By using a specific darkroom technique to make the images look like they were fading or dissolving, I wanted to mirror the way the individual identity is obscured by the state’s grand narrative. It’s about photographing the ",{"_key":612,"_type":17,"marks":613,"text":614},"664f0a409a17",[353],"feeling",{"_key":616,"_type":17,"marks":617,"text":618},"b602a56bf952",[]," of being watched and the fragility of that constructed perfection.",[620],{"_key":605,"_type":75,"externalUrl":621,"internalLink":8,"isInternalLink":136,"title":8},"https://elpais.com/cultura/2017/11/28/actualidad/1511865893_555515.html","In the 'Korean Dreams' project, you photographed North Korea — a place where reality itself is carefully staged and mediated. How do you approach photographing such a controlled environment?",{"_type":362,"gallery":624,"slider":136},{"allowLightbox":8,"caption":625,"images":634},[626],{"_key":627,"_type":13,"children":628,"markDefs":633,"style":38},"5b6aaded328d",[629],{"_key":630,"_type":17,"marks":631,"text":632},"e48ba5f5d315",[],"'Korean Dreams' project. Courtesy of Nathalie Daoust.",[],[635,641,647,653],{"aspect":375,"asset":636,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":637,"originalFilename":639,"url":640},{"dimensions":638},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_korean_dreams_02.jpeg","https://cdn.sanity.io/images/aj6e31np/production/ab1c28e813d605256824531fdb81ddd5aecf9af0-1080x1008.jpg",{"aspect":375,"asset":642,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":643,"originalFilename":645,"url":646},{"dimensions":644},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_korean_dreams_07.jpeg","https://cdn.sanity.io/images/aj6e31np/production/5c32a10059d8f43638be937ea885e341ec5ec176-1080x1008.jpg",{"aspect":375,"asset":648,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":649,"originalFilename":651,"url":652},{"dimensions":650},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_korean_dreams_03.jpeg","https://cdn.sanity.io/images/aj6e31np/production/493a1a57ea79c5dcb15f77734eed16186acd7f03-1080x1008.jpg",{"aspect":375,"asset":654,"caption":8,"crop":8,"hotspot":8,"size":444},{"altText":8,"metadata":655,"originalFilename":657,"url":658},{"dimensions":656},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_korean_dreams_10.jpeg","https://cdn.sanity.io/images/aj6e31np/production/08877d5f62fcd81a6564e4ef0ec4972ab294fd9b-1080x1008.jpg",{"_type":328,"answer":660,"initialsAnswer":338,"initialsQuestion":339,"question":669},[661],{"_key":662,"_type":13,"children":663,"markDefs":668,"style":38},"e57a5e001c6e",[664],{"_key":665,"_type":17,"marks":666,"text":667},"729b1d9d0dfd",[],"I see both sides of this shift. We are drowning in images, and often, more is simply less. This is why I like to work with analog photography, it helps me slow down. But whether digital or film, photography remains a vital tool for empathy, acting as a visual anchor in an increasingly virtual world.",[],"We live in a hyper-photographed world, where images can be as fleeting as a story, and AI can now generate or modify images in seconds. In this context, what role does photography play in how we understand cities and their challenges? And how do you see this evolving?",{"_type":404,"author":239,"bigTitle":78,"contained":8,"title":671},"«Whether digital or film, photography remains a vital tool for empathy.»",{"_type":362,"gallery":673,"slider":136},{"allowLightbox":8,"caption":674,"images":683},[675],{"_key":676,"_type":13,"children":677,"markDefs":682,"style":38},"a47cb6e88099",[678],{"_key":679,"_type":17,"marks":680,"text":681},"5ec3aeb0bb52",[],"Nathalie Daoust's work explores intimate spaces often hidden from the visible life through experimentation and darkroom processes. Images from 'China Dolls' project. ",[],[684,691,697,703],{"aspect":685,"asset":686,"caption":8,"crop":8,"hotspot":8,"size":384},"square",{"altText":8,"metadata":687,"originalFilename":689,"url":690},{"dimensions":688},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_china_dolls_13.jpeg","https://cdn.sanity.io/images/aj6e31np/production/f9dbf93d4e5dacb2b372b246990e6cb129e944a9-1080x1008.jpg",{"aspect":685,"asset":692,"caption":8,"crop":8,"hotspot":8,"size":384},{"altText":8,"metadata":693,"originalFilename":695,"url":696},{"dimensions":694},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_china_dolls_10.jpeg","https://cdn.sanity.io/images/aj6e31np/production/acdcd69231e3d2b9014f6402c6f544e14a0b7e39-1080x1008.jpg",{"aspect":685,"asset":698,"caption":8,"crop":8,"hotspot":8,"size":384},{"altText":8,"metadata":699,"originalFilename":701,"url":702},{"dimensions":700},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_china_dolls_02.jpeg","https://cdn.sanity.io/images/aj6e31np/production/e9ce223f512948120da4c480090555236ba2832b-1080x1008.jpg",{"aspect":685,"asset":704,"caption":8,"crop":8,"hotspot":8,"size":384},{"altText":8,"metadata":705,"originalFilename":707,"url":708},{"dimensions":706},{"_type":142,"aspectRatio":379,"height":380,"width":381},"nathalie_daoust_china_dolls_05.jpeg","https://cdn.sanity.io/images/aj6e31np/production/57dd60929b4a43bcba50a2d1f8f4fb4571c9e481-1080x1008.jpg",{"_type":328,"answer":710,"initialsAnswer":338,"initialsQuestion":339,"question":719},[711],{"_key":712,"_type":13,"children":713,"markDefs":718,"style":38},"e9b1d45b30ad",[714],{"_key":715,"_type":17,"marks":716,"text":717},"0af3fd6a6d8c",[],"I tend to look at the ways we adapt as our surroundings change. We are living in a world that is becoming much more crowded, where the privacy and vastness we once took for granted are being replaced by density. Because of that, I think escapism is becoming something more personal and quiet. I’m just trying to find those little gaps in the city where a person’s own thoughts and imagination can still take up space.",[],"How do you see the future of urban life through your lens? Will cities still allow for escapism — or are they becoming spaces where it is increasingly difficult to escape?",{"_type":328,"answer":721,"initialsAnswer":338,"initialsQuestion":339,"question":730},[722],{"_key":723,"_type":13,"children":724,"markDefs":729,"style":38},"ce023e0e801b",[725],{"_key":726,"_type":17,"marks":727,"text":728},"5ef802506e73",[],"I am drawn to anything I know nothing about.",[],"To wrap up: If you could teleport to any city or neighbourhood in the world right now to photograph, where would you go?",{"_type":328,"answer":732,"initialsAnswer":338,"initialsQuestion":339,"question":752},[733],{"_key":734,"_type":13,"children":735,"markDefs":749,"style":38},"24d8be831d03",[736,740,745],{"_key":737,"_type":17,"marks":738,"text":739},"6b8306727cd2",[],"If I had the choice of any photographer in the world, it would be, by far, ",{"_key":741,"_type":17,"marks":742,"text":744},"6a2ada01b2a8",[743],"c141590bd48e","Martin Benoit",{"_key":746,"_type":17,"marks":747,"text":748},"4117d32658d7",[],". He was my teacher at Cégep du Vieux Montréal thirty years ago, but over the decades, he has become so much more than a mentor. Martin is a rare soul whose technical expertise is matched only by his dedication; whether we are discussing complex darkroom methods or the motivation needed to keep going, he has always been a grounding presence. Since we live in different cities and I don't get to see him as often as I’d like, a dinner with him would be the ultimate gift—to catch up with the person who has been my most consistent anchor in this creative journey. ●",[750],{"_key":743,"_type":75,"externalUrl":751,"internalLink":8,"isInternalLink":136,"title":8},"https://www.cvm.qc.ca/programme/photographie/notre-equipe/enseignant/martin-benoit/","A final one: if you could have dinner with any photographer, who would it be?",{"_type":754,"ctaLabel":755,"ctaLink":756,"hasLines":136,"title":759},"builderTitleCta","Submit your project before Sept. 30",{"externalUrl":8,"internalLink":757,"isInternalLink":78,"title":8},{"_id":324,"_type":319,"slug":758},{"_type":95,"current":326},"Related: The call for the CitiesToBe Photo Award 26 is open!",{"ogdescription":761,"ogimage":762,"ogtitle":765},"We talk with Nathalie Daoust, winner of the CitiesToBe Photo Award 2023, about her work on nomadic communities in Mongolia",{"asset":763},{"url":764},"https://cdn.sanity.io/images/aj6e31np/production/bcd1905980dd407de4a7011c8d2ce64aa4809298-900x600.jpg","«When a nomadic culture is forced into a sedentary urban existence, something profound breaks» ",{"_type":95,"current":767},"nathalie-daoust-when-a-nomadic-culture-is-forced-into-a-sedentary-urban-existence-something-profound-breaks","«When a nomadic culture is forced into a sedentary urban existence, something profound breaks»",{"relatedStories":770},[771,791,833,865],{"_id":772,"authors":8,"categories":8,"contributors":773,"featuredImage":779,"orderRank":787,"overlay":78,"slug":788,"title":790},"4e471797-3af4-41fd-8c11-1ddb55708634",[774],{"_id":775,"name":776,"role":8,"slug":777},"0bba2fa1-25ad-4502-8976-f5d95fe0a8ac","CitiesToBe Editorial Board",{"_type":95,"current":778},"citiestobe-editorial-board",{"asset":780,"crop":8,"hotspot":8},{"altText":8,"metadata":781,"originalFilename":785,"url":786},{"dimensions":782},{"_type":142,"aspectRatio":783,"height":784,"width":187},0.8,1600,"DTS_Shadow_Tech_Fanette_Guilloud_Photos_ID9367 (1).jpg","https://cdn.sanity.io/images/aj6e31np/production/d4bfbe874125400775fbc08e12467f1a72376c64-1280x1600.jpg","0|100014:2",{"_type":95,"current":789},"whats-new-at-the-new-citiestobe","What's New at the New CitiesToBe? 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